Tuesday, January 17, 2012

Progressive chauvinism

For my "Theatre of the Absurd" section:
It seems that "The Iron Lady" cuts right in the middle of the modern political debate. While the conservative side complains about inexact depiction of the Thatcher's hard-core right-wing politics, the American left wing tries to downgrade the value of the movie that has a potential to attract more attention to the Thatcher's ideas.

Here is the full list of complaints against Thatcher:
"In The Iron Lady, a figure named Margaret Thatcher orders the sinking of the Argentinean battleship, the Belgrano. She “wins” the war of the Falkland Islands, just as she had won leadership of the Conservative party in Great Britain and had become the nation’s first female prime minister. As such, she imposed austerity cuts; she beat down the trade union movement; she gutted many parts of her country, especially the manufacturing north; and she restored a version of prosperity in the financial services industry that was lifted on the wave of the Internet. She was the most significant leader Britain had had since Churchill. But she was more drastic than the wartime premier. He responded to an external threat when he had no other choice. Mrs. Thatcher was an innovator determined on radical surgery. Churchill was resolute, and she was an ideologue—which is most useful or more dangerous?"

Unfortunately, further this article becomes a dirty and ungrounded slur... a rather chauvinistic one (this is unfortunately typical of liberal media when attacking non-liberal opponents. Just recall the same edition making racist remarks about Israeli Russians):
"As you might expect, Streep is magnificent but speciously sympathetic in the Alzheimer-like coda to the real drama, even if her husband Denis (played by Jim Broadbent) proves such a bore you can’t understand why so decisive a woman stayed with him. One answer is hinted at: that she had to be married to a businessman to win a seat in Parliament. Another is easily imagined: like many people fixed on power she had no interest in love or sex, except where it might assist her.

Thatcher in lonely dementia has nothing to do with the mounting isolation of her leadership, but it softens the project. I do not intend to suggest that Thatcher used actual sex to gain power, but winning the leadership of her party was her most startling achievement. She appropriated a men’s club, and that took charm, warmth and ways of impressing men. But Streep is as chilled in this film as she is inventive, and she does not convey how Thatcher affected her male associates. There is no reason for making this story if you can’t get inside Thatcher’s head and feel her instinct for manipulation. Streep is endlessly creative and actressy; but there is no nature in her Thatcher, and no secret to draw us in."

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